Through my practice, I bring choreography, cinematography and visual storytelling into dialogue. I think through the camera and approach editing as choreography, composing durations and encounters that shape our experience of time, space, sensation, collective memory and human relationships.

I explore how the body perceives and responds to the spaces it inhabits, to architectural structures, environmental dynamics, social conventions and the presence of others.

Through the camera and the editing process, I observe how these spaces shape our gestures, encounters and ways of being together, revealing the choreographic dimension of everyday life.

These conditions are physical, social and political, yet they are often experienced as natural or inevitable.