I work at the intersection of choreography and filmmaking, understanding the moving body as a living archive: one that carries memory, history, and possibility. My artistic inquiry centers on how movement and visual storytelling can reveal what is often invisible: emotional landscapes, social ruptures, ancestral rhythms, and metaphysical presence. Each project emerges from dialogue and shared authorship with collaborators, shaped by listening, care, and the unique cosmologies of place.

I employ the camera as a choreographic partner guiding attention to gesture, stillness, and the relational space between bodies and their environments. Philosophical inquiries into essence, perception, and the unseen increasingly inform my approach especially as I explore how digital media can act as an archive of presence.

My practice resists extractive aesthetics; instead, it seeks to cultivate spaces where movement becomes a form of witnessing, and filmmaking becomes a mode of care. By bridging the personal and the collective, the intimate and the political, I aim to co-create works that hold space for memory and transformation.