My art practice merges choreography and filmmaking to explore how the body holds, remembers, and transforms lived experience. I work at the intersection of movement, image, and community—creating projects that arise from collaboration with people whose lives are shaped by displacement, resilience, and ancestral knowledge.

My artistic inquiry centers on how movement and visual storytelling can reveal what is often invisible: emotional landscapes, social ruptures, ancestral rhythms, and metaphysical presence. Each project emerges from long-term dialogue and shared authorship with local collaborators, shaped by listening, reciprocity, and the unique cosmologies of place.

The camera is not merely a recording device but a choreographic partner—guiding attention to gesture, stillness, and the relational space between bodies and their environments. Philosophical inquiries into essence, perception, and the unseen increasingly inform my approach—especially as I explore how digital media can act as an archive of presence.

My practice resists extractive aesthetics; instead, it seeks to cultivate spaces where movement becomes a form of witnessing, and filmmaking becomes a mode of care. By bridging the personal and the collective, the intimate and the political, I aim to co-create works that hold space for mourning, memory, and transformation.